Edouard Vuillard
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November 11, 1868-June 21, 1940. French painter.

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LE BRUN, Charles
Chancellor Seguier at the Entry of Louis XIV into Paris in 1660

ID: 33612

LE BRUN, Charles Chancellor Seguier at the Entry of Louis XIV into Paris in 1660
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LE BRUN, Charles Chancellor Seguier at the Entry of Louis XIV into Paris in 1660


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LE BRUN, Charles

French painter (b. 1619, Paris, d. 1690, Paris) French painter and designer. He dominated 17th-century French painting as no other artist; it was not until over a century later, during the predominance of Jacques-Louis David, that artistic authority was again so concentrated in one man. Under the protection of a succession of important political figures, including Chancellor Pierre S?guier, Cardinal Richelieu and Nicolas Fouquet, Le Brun created a series of masterpieces of history and religious painting. For Louis XIV and his chief minister Jean-Baptiste Colbert he executed his greatest work, the royal palace of Versailles: an almost perfect ensemble of architecture, decoration and landscape. After Colbert's death in 1683, he was no longer able to count on prestigious commissions   Related Paintings of LE BRUN, Charles :. | Adoration of the Shepherds sg | Martyrdom of St John the Evangelist at Porta Latina g | Pieta | The Resolution of Louis XIV to Make War on the Dutch Republic g | Chancellor Seguier at the Entry of Louis XIV into Paris in 1660 (mk08) |
Related Artists:
SWANEVELT, Herman van
Dutch Baroque Era Painter, ca.1600-1655 Dutch painter, draughtsman and etcher, active in France and Italy. His first signed and dated works are two views of Paris dated 1623 (Brunswick, Herzog Anton Ulrich-Mus.). He was in Rome from 1629 to 1641. His earliest dated painting there is an Old Testament Scene (1630; The Hague, Mus. Bredius; see fig.), a compositional formula that he often used, with some variations, in Rome. A flat, low foreground is closed on the left by a house and a tree; on the right is a distant hilly scene; and groups of figures are disposed horizontally. This design, derived from Cornelis van Poelenburch, is well suited to van Swanevelt's many landscapes with biblical and mythological subjects. The large tree extending beyond the frame gives a monumental touch to the composition.
Paul, John
English, active 1858-1886
E.Claus
Belgian 1849-1924






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